#MONTY OUM ANIMATIONIST DRAWING STYLE HOW TO#
#MONTY OUM ANIMATIONIST DRAWING STYLE MANUAL#

Whenever a technical hurdle presents itself, the challenge tends to be not in overcoming it, but rather about how to find a creative way around it. Once a scene is finished, the export can be as simple as a single layer with all assets live exported an image sequence, or several different layers depending on the complexity of effects. That also includes the facial animation, which is done with blend shapes and PoserвЂ™s built in Talk Designer tool. We capture and export BVH data onto the Poser rigs and do most of the clean-up and performance editing in Poser. We utilise OptiTrackвЂ™s Arena software, which comes with one of their motion capture packages. They are then imported into Poser for rigging and texturing. All assets are usually built in Maya including characters, props and sets. Poser is used as the primary animation app.

#MONTY OUM ANIMATIONIST DRAWING STYLE MANUAL#

If itвЂ™s not in the manual but it still gets the job done, IвЂ™m all for it. Working with our producer Kathleen Zuelch, animator Shane Newville and technical director Jeff Yohn, weвЂ™ve created a pipeline that focuses the unique features of the Poser application on the unconventional demands of this show.ДЇrom pushing blend shapes past their breaking point to repurposing OBJ sequences in unexpected ways, I try to challenge the team to embrace solutions regardless of whether they are considered technically correct.

With RWBY, weвЂ™re attempting to take our intense productivity up to an even higher level. There have been episodes of Red vs Blue that have been completely animated in only a weekвЂ™s time by myself and only one other animator. From a production standpoint itвЂ™s hard to ignore the volume of work my team and I have been able to create. My work in the last three seasons of Red vs Blue, and all of RWBY, has been animated almost entirely in Poser.ДЄs a 3D program, Poser might not have some of the superfluous bells and whistles of the more commonly used applications, but IвЂ™m a big believer in the idea that a streamlined interface can lead to greater efficiency. Poser has been my primary program for the last 14 years. Many people are often surprised to hear that most of my work is done in Smith Micro's Poser. My work has always required an unconventional form of thinking and an unconventional application. Using Poser gave us the power to animate cool visuals But it was naturalВ to those who recognized his outsized personalityВ long before his tragic death.A second set of the same geometry that has been slightly extruded is used to create the black lines of cel-shaded anime 02. The fact that Oum meant so much to people might surprise readers who are new to the current creative paradigm, wherein someone can makeВ and widely distributeВ art with only a laptop. вЂњThe world has changed to the point that you can create and distribute without gatekeepers, and Monty was a wonderful example of that,вЂќ he said. Oum proved such a moving figure to young people. Burton, the вЂњRootsвЂќ star and a childhood hero to many as a host of вЂњReading Rainbow,вЂќ had his own theories about why Mr. Oum briefly at a Rooster Teeth event, but вЂњthe depth of her grief was, and is, surprising,вЂќ her father said, a sentiment echoed by many parents this week. вЂњWhen I arrived, she just fell into my arms, sobbing,вЂќ Mr. Burton happened to be visiting her on the day the death was announced. Burton, 20, a student at the University of Michigan, had called her father, upset, when news of Mr. BlueвЂќ through his daughter, Mica, an avid gamer and anime fan. The actor LeVar Burton was introduced to вЂњRed vs. OumвЂ™s presence and his work, the volume of grief was unexpected. The New York TimesВ wrote about the grief felt by his fans on Thursday:Д®ven for people familiar with Mr. In the wake of OumвЂ™s passing, the extent to which he was an important figure has only become more clear. ThatвЂ™s a sizable group, even if Rooster Teeth and Oum have managed to fly largely under the mainstream radar: As Tom Barltett reported in Texas MonthlyВ in December, the companyвЂ™s 4 billion YouTube views-driven in no small part by the creativity of Oum-has helped make the company a powerhouse among younger, more tech-savvy audiences.

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